Art

Hear.Feel.Fear: Presentation of work, 17cox gallery in Beverley

Wednesday, November 30th, 2011

I will be presenting PC//MM alongside Joey at 17cox on Saturday, December 3rd.  Joey and I have been performing music together for about a year and a half.  Having the context of a presentation will allow us to discuss our influences and our process for composition and performance.

This will include the ideas and inspirations in the evolution of our setup, performance style, and equipment, as well as the development of WHIRL and the intersection of art, music, and community we’ve found in our execution.

So if you’ve seen us perform and wonder who is doing what, or how I’m getting the monomachine to make sounds, or where Joey finds his samples, swing by.

Yup, you guessed it- that's a breadboard synth there. Three oscillators and ring modulation.

The event is produced by 17cox, and is designed to explore collage techniques in the creative process:

In tandem with Continuity, 17 Cox is hosting events engendering collage to all forms of cut and paste media; not just 2D collage, but film, turntables, and other devices/methods that arrange prefabricated media samples like sound bites, film stills, track cuts, et al. into larger compositions.

17cox: 17 Cox Court, Beverly MA 01915, December 3rd, 6pm. 

Talk on Complex Systems and the Maker Community

Tuesday, June 14th, 2011

A few weeks ago I presented some work at Mass Art’s Pozen Center. Alongside the artwork, the event hosted a series of speakers who spoke on their work and on developing a stronger art+tech community in Boston. I presented the Complexity and Creativity talk, adding a brief review of recent work by researchers of complex systems (with a focus on complex social systems): A-L Barabasi, S. Pentland, N. Eagle, NECSI, and C. Hidalgo.

I followed up the Complexity and Creativity talk with recent material from the Maker Entrepreneurs talk at Barcamp Boston. With the theme of communities in art and technology- the narrative flowed from academic researchers, to how the ideas could be applied to art pieces (PDX I Love You), to how developing a maker community, and empowering individuals to be entrepreneurs, can lead to stronger and more adaptive organizations that can better meet the most difficult challenges we face today.

Of interest to me in particular was a talk on Collision Collective, a group in the boston area passionate about the intersection between art and technology. One of the recent collaborations of the group has been at the Charles River Museum, which has provided members of the group commisions on steampunk work, and has provided a venue for the group to meet and display work. Such a model is exciting- the collaboration allowed memebrs of the colelctive to pursue their passions, and still be sustainable.

The final speaker was incredible. Joe Davis, a researcher and artist based at MIT, spoke of his many art+science projects. Such a boundary between disciplines does not exist with him. Both sides of the work he does play off each other, his artwork pushes scientific inquiry, and he uses high-tech to construct elaborate art pieces. All the while you try to make sense of the artwork you’re seeing, you also try and make sense of Joe Davis.

One of the stories he shared was of a Harvard physicist who visited Davis’ lab space, and Davis told him of some of the work he was doing. The physicist claimed it impossible, but Davis showed him the work, at which point he was invited to Harvard the following week to speak of his results.

Most of all it was amazing to be in the Mass Art space and exchange thoughts and ideas with the students there. I look forward to the growing collaboration.

Voltage Coffee and Artist Trekker

Wednesday, February 2nd, 2011

Voltage is a new coffee-shop in the Kendall area.  Amidst all the big buildings and offices it brings a breath of fresh air with its west coast arty cafe feel. They had an opening last friday by Artist Trekker featuring artists from Bangladesh.

ART SALON

Monday, January 24th, 2011

Went to an art salon in Cambridge a couple nights ago.   Climbing up the stairs to the third floor, a pile of shoes right outside the door, we go inside for a smiling welcome.  Poster prints, small toy objects on the top of some door frames, and instruments neatly tucked around the room.

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WHIRL

Tuesday, July 20th, 2010

Lets get together for a night of music, meeting, and visceral sonic electronic experiences.  We want to create a space for people playing with drum machines, synthesizers, digital formats, mixing, and everything inbetween to share their work and engage the community.  Something incredible is bubbling within electronic music–> the potential to engage a group to create an incredible collective experience.  Musicians are creating uplifting music that you can’t help but get excited about.

[from musica elettronica viva]

We are making the first steps now toward an actively revolutionary music, a music which will not be an instrument of ruling-class “culture”… but rather a force in the hands of the people, a special language belonging to everybody. When this happens, the “concert” will come to resemble other liberated forms such as the party or the day off.

WHIRL is a multimedia event to quench our desire for beautiful works of art in any medium and ecstatic electronic experiences produced by local artists.  Its something we can do together.  Contactwhichlight(take this out) at gmail(and this) dot com if you have any questions or would like to help out. thanks <3!

Past WHIRLing
at FIGMENT June 4-5, 2011

Collaboration with Dorkbot Boston

6-9 pm Tuesday, May 17th 2011, at Middlesex Lounge in Central Square, FREE

April 22nd at the Lilypad in Inman Square.

whirl flyer

Tentative artists and performers:

INTERACTIVE ART by Russell McClellan, Ben Lacker, Eric Rosenbaum, Jay Silver, Paul Feitzinger, Michael Dewberry, Will Whelan

LIVE ELECTRO PERFORMANCES by PC//MM, Ming Ming

PL: Rut Roh

DJs: Sleepyhead, Pajaritos


Performances by Pancake, Crista Galli, and plastic color// math magic on Saturday, September the 11th at the   Lilypad in Inman Square after the art installation and opening by Bill Imbrogna.

A live set from the evening
Latest tracks by Crista Galli


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PDX I Love You

Friday, December 18th, 2009

cover

Imagine the city covered in hearts on Valentine’s Day.  So many people love this city, and here is a way to express that love.   On Valentine’s Day, anyone walking alone in the city may see a heart poking out from a corner, and perhaps a smile will creep on their lips.  A heart that is not commercial, a heart placed not for a single person, but for anyone who walks by.  We want to give a medium for people, to encourage them to freely express their affection through this simple symbol, and re-conceive the purpose of Valentine’s Day, as not a huge commercial endeavor, but a chance to just show anyone- maybe even a city- you love them.

This was a collaborative project organized with Jason Edward Davis in Portland, OR.  We organized a booth in the Love show to spread the idea and materials, and on the night of February 13th, 2009 we placed hearts around the city with dozens of Portlanders.  The following are the notes preceding the project, and documentation of its progress.

Concepts

Ephemeral art is essential in this project because the intention does not involve littering or graffiti.  Creating hearts that are biodegradable, or will come out in the rain is essential.  Possible mediums include chalk, newspaper, construction paper, powder, and natural materials like sticks, dirt, or stones.

While exploring East Berlin, one can’t help but notice the wealth of street art.  Its all around, and after wandering a few days in that city I felt the dialogue the artists had with the city dwellers.  Walking in the city, daydreaming, thinking about different things, and these artists’ works would penetrate my thoughts.  The street art is for the public, and its free to view.  Its a similar dialogue and notion of art free for all that PDX I Love you seeks.

The intention is to cover as much of the city as possible with hearts.  This is a large scale project, and in order to meet that scale we take into account the concepts of networks and how information and action flows through them.  In order to scale to the size of the city, the execution is from the bottom up.  We offer simple guidelines, without any core structure, to allow groups to grow organically.  There is the option to meet at the love show, or to message us to find groups.  With groups forming anywhere, and without reinforcing certain locations, it becomes possible to have hearts emerge all around the city without having a single individual put each one up.

Documentation

The messages sent out and development of the project was maintained on pdxiloveyou.blogspot.com

Soon after spreading the word of the project began, the curator of the Portland Love Show, Ben Pink, welcomed PDX I Love you into the show.  We set up a booth there where we spread the message and also materials to heart the city.

On Valentine’s Day and for weeks after it was fun to look out for hearts and hear about hearts that were seen around town.  For the most part the project was incredibly fulfilling because of its general uplifting outlook and giving nature.  People became inspired about the idea, and we were excited by enthusiastic responses.


community and culture through public transport

Saturday, December 5th, 2009

On some of the more frequented Trimet bus lines include a digital screen which displays culture or community events occurring on or close to that line, as well as beautiful photography, poetry and quotes. This will reduce some of the boredom and monotony of everyday waiting.

I love you and you love me, times infinity

Wednesday, December 2nd, 2009
I love you and you love me, times infinity

I love you and you love me, times infinity

I created a GIF animation for the show The GIF Economy by Weird Fiction .  You can click the above image to see the animation.

Here is an excerpt from Rhizome:

Denizens of the World Wide Web are implored to reanimate dead media and revive retrograde knowledge structures; deploying anomalous information and thereby accelerating GIF speciation. The GIF is your passport to the immortal realms of mythology mash-ups and off-modern memes. Remember: overexposure to cine-molecular glitch scapes (GIF animations and their kin) may lead to as of yet unknown climes of panopticonscious surrender.

The GIF Economy begins on December 3rd at 6pm at Tractor 328 NW Broadway #114 Portland, OR 97209 and is up until December 18th.

Update March, 19th 2010

The animation will be featured in the 8 Bits Per Pixel show at MEME gallery.  All of the fun GIF animations can be seen here.

8 Bits Per Pixel will show from March 25th – 27th at MEME gallery 55 Norfolk Street, Cambridge, MA 02139. The closing event will be on March 27th from 7 to 10pm.