Boston

the growth of creative coworking spaces around cambridge and somerville

Monday, April 30th, 2012

Something incredible is brewing in somerville and cambridge, and it has been emerging over the last couple years.  The growth of spaces that encourage building, making, hanging out, performance, art, co-working and tons more. I spend a lot of time between these spaces- initially because I wanted places where I could learn socially and collaborate on projects.  This past weekend I found a few more, and hopping from space to space, I really began to feel the magnitude- the spread- of this movement.

When I first arrived in boston, I was so excited to find Sprout by Davis Square.  A place where people could go and make things, learn from each other, a place to cultivate a community.  That was two years ago, and a lot has happened- that spirit has grown and spread to several other places- to the extent that it almost feels like the most effective use of space in a city is just that- something between a coworking space, performance venue, and community  center.

I was at the Artisan’s Asylum earlier today and folks from Popular Mechanics were there snapping photos and interviewing.    What’s happening there is pretty game changing.  Check out a couple interviews from the space.  There are not only artists and makers there, there are businesses that are growing.  The city of Somerville is pretty excited about the impact the Asylum has- it has brought a lot of jobs to the city.  It’s probably the biggest maker/hackerspace in the world- with tons of affordable spaces and tools, setting an example many can get inspired by.  I find myself there a ton making art as New American Public Art, most recently preparing an interactive magnetic sculpture for Somerville Open Studios.

Last Saturday I swung by East Meets West Bookstore in Central for Make-It market.  I had never been in the space and was amazed to find it was so much more than a bookstore.  It is a performance space- and now is expanding to house several businesses upstairs, like Modk.it, and also a fab lab- a place with tools like lazer cutters or CNC machines that people can come in and use.  It occurred to me that a place like this is so well utilized- both in the day and night it is active.

Later in the day I found myself in [] x [] , a co-working space housing Zeega and goodgood, currently featuring work by a longtime collaborator Joey Asal.  This is one of the newest coworking creative spaces.

Friday I made it to Industry Lab for the first time. I had been looking forward to it for a while, a new coworking space in Inman housing companies including Leaf Labs.  There was an art reception and screening of a couple short films.  The path to the reception in the artist studios led through several rooms of smaller companies- impressive to see how many were there.  From the turnout and energy at the event, there will definitely be more to come.

And beyond that, there is the p.irateship in somerville, blocks away from the Artisan’s Asylum, where the public lab in cambridge is based.  I’ve gone there for synth nights- exploring electronic music and synth building- and every few months there is a synth-in yielding tons of awesome projects.

There is Fringe Union, a co-working space for creative professionals.  I don’t find myself there too often (they throw an awesome winter party) but it is inspiring to hear of products like the cuppow which were created by a collaboration of in house talents.

An energy exists in these places- people who are really creating new things, from artistic to business pursuits.  There is so much I learn from just being in these places- being around these conversations- to knowing who to ask about electronics, or synth building, or understanding interaction design- and then talking about building products, manufacturing and the business side of things.  The learning is all intertwined- its not like reading articles or a book- its something between conversation, and play, it can come in bits or extended sessions.

The growth of these co working creative spaces- it is one of the things I love most about being here.

New media public art pieces currently on display around Boston

Tuesday, February 28th, 2012

I have two public art pieces currently on display in the city.  You can see Lighthouse until mid march.  It consists of three projectors and an LED screen.  It is just steps away from the Aquarium T stop, and right by Quincy Market, at the Harbor Islands Pavilion.

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The installation uses three overlapping analogue projections to create a simple interactive light scape. The work’s form and materials echo the flow of the existing architecture and allude to old canvas ship sales and whale bones. These forms are reflected in the projected images as well as the generative animations shown on the 2 large video screens. [from the press release]

At the Boston Convention Center, you may see Urban Bloom. It is part of a series of works bringing art to the LED Marquee.  It is thirty seconds long, and will play alongside other pieces on the Marquee.  See the review by the Dig.  Because of it’s size, the Marquee is visible in several parts of South Boston.  The closest T stop is the World Trade Center T stop on the Silver Line.  It is visible as soon as you leave through the upper exit.


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“Urban Bloom,” is designed to convey the microcosm of city movement amongst the deeper, cyclical expanse of space. Spatially, the piece will be divided into panels representing movement in the city with linear cellular automata patterns juxtaposed against panels conveying the environment in which this city simulation is embedded – Mondrian’s Broadway Boogie Woogie meets Villareal’s Multiverse, with particles moving through the border passageways set against fading panels of saturated deep tones of pure color. The piece was developed using custom software to generate the automata patterns and gradual color shifting. [artonthemarquee.com]

It is very exciting to be showing work in the public space of Boston.  If you are in the Boston area, I encourage you to check out Lighthouse and Urban Bloom.

Urban Bloom, covered in Boston Business Journal

Wednesday, February 15th, 2012

Urban Bloom is a piece that will be presented on the Boston Convention Center LED Marquee this winter.  An article in the Boston Business Journal covers the opening and the initiative by Boston Cyberarts.

Called the largest urban screen in New England, the digital canvas will be one of the first of its kind to integrate art alongside commercial and informational content as part of the the convention center’s neighborhood art program. Six Massachusetts artists including Nell Breyer,Dennis MillerJohn Slepian, Kawandeep Virdee, Jeffu Warmouth and Ellen Wetmorewill be featured in the first round of projects.

 

PC//MM Performance, Dope Boi Fresh

Sunday, October 30th, 2011

Playing a halloween show at Midway Cafe in JP.  No cover.

Links to PC//MM music : Soundcloud page. Web page.

Details from the event posting:

WIGS x MASKS x GOLD REQUIRED

No more wasted time arguing about where you will spend halloween, only to end up somewhere shitty. DOPE BOI FRESH is ready to scare you stOOpid with monster beats. This is a party dedicated to DANCING + MASKS + WIGS + GOLD + HIP HOP

DJ ELVIS JAMES

PC//MM

BATHAUS+NICKY ROMANCE+MAGZILLA_

MARS JUPITER

MESSIAH

Visuals all night brought to you by: HEXbeam
http://templeofmessages.com/HEXbeam/

[WITH SPECIAL GUEST PERFORMANCES BY: DEAD ART STAR< CLASSY SPINNER< ALEX TISDALE]

Home is where the heart is, let’s party at the midway.

Boston Iconathon and Noun Project

Wednesday, July 20th, 2011

I got an e-mail a couple days ago from Max (@maxogden) and Karla (@KMimagine) from Code for America about an upcoming design event in September.  Karla is putting together a series of events focused on creating tons of publicly available, open source, civic icons- and she asked me to help find creatives around Boston and Cambridge who are into design and awesome social causes. If this sounds like you- get in touch- it will be awesome.

In August & September 2011, several cities across the US will participate in a series of design charrettes — day-long collaborative workshops — called “Iconathons”. Through facilitated design sessions, event participants will generate icons and symbols that visually convey concepts frequently needed in civic design. The aim of Iconathon is to add to the public domain a set of graphic symbols that can be used by both the public and the private sectors to easily communicate universally recognized concepts to city inhabitants.

[iconathon website]

Boston is currently planned for September 3rd.  This is a collaboration with the Noun Project, which is collecting tons of icons to contribute to the world's visual language, all of them being free.  And they're beautiful, clean, and bold- check out the website- its got a fantastic UI to explore all of these icons.  (sidenote: Hit 'view source' in your browser for the Noun Project website. I like them already.)

I love the idea of design for good and I'm pumped about this event being a space to get people together around Boston to grow that community.

WHIRL at FIGMENT Boston

Thursday, June 2nd, 2011


A month ago we were invited to participate in the FIGMENT festival in Boston. I went last year and it was incredible- interactive art for the public, and for free. So I’m pumped to say that WHIRL will be at Figment Boston this Saturday, June 4th, and Sunday, June 5th. I’ll be in London, but WHIRL will go on, produced by the amazing Joey Asal and Shane Patton.

They’ve given us a dark tent for the projections and interactive sound art. So far we’ll have projects that include: new music interfaces by conductiveio, exploration of music by exploring a room by Nick Joliat, a game based on noise by Rob Ochshorn, visuals by Vela Phelan, sounds by Dirk Adams, and DJing by Pajaritos.

And much more. Swing by and check it out. FIGMENT is 11-7 on Saturday, and 11-6 on Sunday.

On Saturday we’ll have animations earlier in the day, with interactive art in the early afternoon, live music at 3ish, and DJing starting at 5.

WHIRL at Middlesex

Saturday, May 14th, 2011

Dorkbot WHIRL on facebook

Showing at the Pozen Center for Interrelated Media

Friday, April 15th, 2011

I’ll be showing a piece at  ‘PROGRESS: The Show at the End of the Universe’ at Mass Art’s Pozen Center for Interrelated Media.  The show is tonight, April 15th, at 7 pm.  There will be tech artwork as well as talks. (Event Info)

The Universe will revolve around the exploration of complex natural systems. All works in Pozen will be connected to a brain sculpture in the middle through a series of sensors and triggers. Participation is encouraged.

Each output of the system will be an interpretation of a specific process, in an attempt to compare and contrast the human mind to other natural processes. The intention is to better our understanding of the universe, while encouraging personal investigation by each individual.

[from site]

I made an LED grid with blow sensors.  I liked the idea of making an interactive LED grid that would display interesting phenomena based on the contributions of two people.  Below are a few images of the grid as I was making it.  Come out to the show and see the finished piece.

LED grid imageThe grid is made using two shift registers.  The anodes of the LEDs are connected along rows, and the cathodes along columns.  All of the columns go into one of the shift registers, and the rows go into the other shift register.

The blow sensors are two piezo’s on either side of the grid which trigger the LED particles that float across the array.  When a particle from one sensor collides with a particle from the other, a seed is placed which triggers Conway’s Game of Life.

LED grid with blow sensors from which light on Vimeo.

The video above is a clip from the grid in progress, testing out the sensors. I’ll take video/pictures of the finished piece at the show tonight.

The grid was made at Sprout with the awesome help of Sam Cormier.

‘The Show at the End of the Universe’ is part of the 2011 Eventworks Festival, titled PROGRESS.  The Pozen Center is located in North Hall at 621 Huntington Avenue, Boston, MA (Massachusetts College of Art and Design)

Open Call for WHIRL

Thursday, April 7th, 2011

**OPEN CALL for INTERACTIVE (SOUND) ART to be showcased at WHIRL**

Hey all,

As mentioned at the last sprout spaghetti dinner, Joey and I will be hosting a WHIRL event at the Lilypad in Inman Square on Friday, April 22nd.  The event will be free.  We want to showcase some of the sweet interactive art around cambridge, boston, and somerville, with a focus towards interactive sound art, so like musical instruments you’ve made, wearable sound stuff, but we’re also pumped about cool projection visualizations that respond to you, because those are fun to dance with.

If you’ve been working on a project you want to prototype, or you have something finished you’d like to see in action again, definitely contact us, we’d love to present your work.

Rough schedule:

6 to 9 : the art/instruments will be showcased
9 to 11 : local electronic acts perform
11 to 2 : DJ dance party.

More info:: WHIRL is a multimedia event to quench our desire for beautiful works of art in any medium and ecstatic electronic experiences produced by local artists.  Its something we can do together.  Contact whichlight at g mail dot com if you have any questions or would like to help out. thanks <3!

spread the word! to your buddies who play with sound stuff, dig heavy dance beats, or like hi fiving local electro musicians.

KAWAN!

Death and the Powers

Wednesday, March 23rd, 2011

Death and the Powers is the new opera by Tod Machover, spanning many collaborations and 11 years in the making.  Yesterday I saw it at the Cutler Majestic Theatre in Boston.

Many who may see it may be in a similar position as I, without having seen any previous operas, but enticed by the technology and music in this piece.  Beforehand, I was partly concerned that the show would be too much flash and bang and not enough depth regarding effects, but that was totally not the case.  The use of the robots in the performance is astounding, sometimes evoking more empathy than the human actors.  The technology is beautifully integrated in the opera, from the three robotic walls, to the many operabots, and also the use of projections and lighting.  I found myself thinking less about how they did it, and more about what they were showing, which is always a good sign regarding art and technology.

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