electronic music

Sprout Spaghetti Dinner

Sunday, March 13th, 2011

On Wednesday, March 16 I will be performing electronic music at Sprout’s March spaghetti dinner (event info). Each month Sprout has a spaghetti dinner with a theme, organized/curated by Shaunalynn Duffy and John Bell.  People come, have dinner and talk, then watch performances or talks centered around the theme.  This time the theme is ‘Mechanical Ballets’:

The term “Mechanical Ballet” was invented in the avant-garde world of Europe in the 1920s, and was applied to films and performances of machines, of people, and of people with machines. We want to re-visit this subject in our hybrid cyber-mechanical age.

How do we invite machines to perform?
How do machines invite us to perform?
Are we part machine already?

Our March 16 sprout spaghetti dinner will include ::

+ machine dances by Veronica Barron
+ a screening of Fernand Léger’s 1924 film Ballet Mécanique
+ electronic music by Kawandeep Virdee and Joey Asal
+ a power tool symphony
+ mechanical ballets presented by John Bell’s Performance Workshop students at MIT: Emily Tow, Catherine McMahon, and Sohin Hwang

[from facebook invite]

So there will be some incredible performances!  At the end of the evening I’ll play some electronic music, and we’ll transition into a dance party.  I’ve been to many spaghetti dinners at Sprout in the past, and it is an honor to be able to perform at one.

Music for Fashion Short

Sunday, November 14th, 2010

“man of war” from robert packert on Vimeo.

I made music with Joey Asal, sampling vocals from Amanda Antunes, for this fashion short film “Man of War”.

Together Instrument

Saturday, July 31st, 2010

Make an electronic musical instrument that a group can play together.

imm la ti on: argue/eusocial

Saturday, April 17th, 2010

The electronic composition was created in 2008 for an assignment to create a piece in response to “Come Out” by Steve Reich.  I used an ARP 2600 and a vocal recording.  I was initially inspired by a passage in the book Shantaram that described so perfectly a moment during an argument between lovers.  It is a phase transition that occurs when one lover speaks words that convey exhaustion and defeat but not caring, and the other lover shifts from anger to an apologetic sadness.  I was thinking of those words,  and more importantly how they are spoken.

The film piece was created after.  In choosing the visuals I imagined forms which give a sense of movement and energy, yet are contained.  For me, those are the forms which many of the sounds in this piece evoked. I used old documentary footage from the Prelinger Archives.

imm la ti on: argue/eusocial from Kawandeep Virdee on Vimeo.

The electronic composition was featured in the GW Hatchet, and the video piece was featured in the GW Art Gala on March 28th 2008 in the E-Street City View Room.

The guests did not…/a vision of…/to this river…

Saturday, April 17th, 2010

Full Title: the guests did not care anyway/ a vision of ultimate cunt and come/ to this river, to this song of a thousand voices


This three part electronic composition was created as a multi-speaker installation and interactive performance for Electronic and Computer Music in 2008.  The piece contains eight unique simultaneous tracks, and the following is a mix onto stereo left and right.

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Listen

With respect to content,  I wanted to make it a retrospective piece, as it was my final performance in university.  The title comes from quotes from three books that coincided with phases and experiences in my development while at school.  The first part is from The Fountainhead, the second is from Howl, and the third is from Siddharta.

The composition is made up of eight tracks to be played simultaneously from different sources.  Form wise, I wanted to make a piece of music that one could actively explore in a space.  I wanted people to wander through a room and hear something different wherever they are. This piece was created for eight speakers, which were placed around the Dorothy Betts theater in GWU, surrounding the audience.

Performance

It was the last performance of the evening and the audience was invited to get up and wander around.  From behind the stage metal was struck during the first part and a red light filled the auditorium.  In the second part, the lights turned blue and an acoustic guitar player sat among the audience seating.  Glowsticks were handed out in a previous performance during the night, and they glowed as audience members wanders the aisles, the stage, or the seats.  For the drum part a synthesizer was played live alongside the speakers. In the final part a group of audience members settled sitting facing each other in a circle in the center of the stage.

Thanks

I am very grateful to those who collaborated and provided support during the piece

Recorded Performers: Karinne’ Hovnanian, Kiran Sarabu, Roshini Mahtani, William Gibb

Live Acoustic Guitar: Jeff Lamoureux

Speakers, setup, and guidance: Steve Hilmy

This was performed on May 1st 2008 as the final piece in the 2008 Electronic and Computer Music Concert in the Dorothy Betts Marvin Theatre in Washington D.C.

Milly Beau Remix

Friday, January 22nd, 2010
Milly Beau song Milly's Thrash remix by MEME

Milly Beau song Milly's Thrash remix by MEME

I recently completed a remix of the track Milly’s Thrash by New York band Milly Beau.  I first met the members a few years ago in DC, and its incredible to see what they are making now.  The album will be put out next week by Greenhouse Records.

I am working on the aesthetic of simple positive energetic dance music as I first explored with Max in Love Love Ecstatic- in this case with sample and computer based music, rather than live performance and hardware.  The vocals for Milly’s Thrash was a great place to test out some of these musical patterns.

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Web instruments

Thursday, December 17th, 2009

Use the pointer in a web page to make cool sounds, like a synth control. Like have a box and when you move the cursor in it, based on the movements, different sounds happen.